Archive for the ‘Pop’ Category

Puff, The Magic Dragon by Peter, Paul, and Mary

Wednesday, May 4th, 2011

 

Puff, the magic dragon lived by the sea
And frolicked in the autumn mist in a land called Honah Lee

Little Jackie Paper loved that rascal Puff,
and brought him strings and sealing wax and other fancy stuff. Oh

(Chorus, twice)

Together they would travel on a boat with billowed sail
Jackie kept a lookout perched on Puff’s gigantic tail,
Noble kings and princes would bow whene’er they came,
Pirate ships would lower their flag when Puff roared out his name. Oh

(Chorus)

A dragon lives forever but not so little boys
Painted wings and giant rings make way for other toys.
One grey night it happened, Jackie Paper came no more
And Puff that mighty dragon, he ceased his fearless roar.

His head was bent in sorrow, green scales fell like rain,
Puff no longer went to play along the cherry lane.
Without his life-long friend, Puff could not be brave,
So Puff that mighty dragon sadly slipped into his cave. Oh

(Chorus, softly)
(Chorus, loudly)

 

The lyrics for “Puff” were based on a 1959 poem by Leonard Lipton, a nineteen-year-old Cornell student. Lipton was inspired by an Ogden Nash poem titled “Custard the Dragon,” about a “Really-O, Truly-O, little pet dragon.” Lipton passed his poem on to friend and fellow Cornell student Peter Yarrow, who added a tune and additional lyrics to transform the poem into the song. In 1961, Yarrow teamed up with Paul Stookey and Mary Travers to form Peter, Paul and Mary. The group incorporated the song into their live performances before recording it in 1962.

The lyrics tell a bittersweet story of the ageless dragon Puff and his playmate Jackie Paper, a little boy who grows up and loses interest in the imaginary adventures of childhood. The story of the song takes place “by the sea” in the village of Hanalei, Hawaii.

Believed by many people to refer to smoking marijuana (a rumor later incorporated into the film Meet the Parents), it became a hippie anthem. The authors of the song have repeatedly and vehemently denied any intentional drug reference. On stage, they have often asserted their innocence by comparing it to other songs like the Star-Spangled Banner that could be construed as a drug song if the listeners had a mind to make it that way.


Piano Man by Billy Joel

Wednesday, May 4th, 2011

This was inspired by Joel’s experiences playing at The Executive Room, a piano bar in Los Angeles. He worked there for 6 months in 1972 after his first solo album, Cold Spring Harbor, tanked. The characters in the song are based on real people Joel encountered working at The Executive Room.

Joel played under the name Bill Martin, which explains why the patrons in the song call him Bill. Martin is his middle name.

Joel usually plays this as the encore at his live shows.

The line “Paul is a real estate novelist” is about a real estate broker who was a regular at the bar who always claimed to be working on a book. Joel figured Paul would never finish because he was always in the bar.

The harmonica part was inspired by Bob Dylan. Dylan was the first person Joel saw use a strap to hold the harmonica so he could play another instrument at the same time.

We were asked specifically about this part of the song:

And the piano, it sounds like a carnival
And the microphone smells like a beer
And they sit at the bar and put bread in my jar
And say, “Man, what are you doin’ here?”

The entire song has 2 recurring themes:
1.The piano playing is soothing, and everyone comes there just to enjoy it
2.Everyone who comes there is miserable

As a result, the piano sounds just like a carnival to the miserable patrons.

The microphone smells like a beer for 2 reasons:
1.People are drinking alot of beer in there, and Bill is, too
2.The singer established everyone else’s reasons for being at the bar earlier

He was about to explain his own reasons when the song ended with the question, “Man, what are you doin’ here?”

An additional perspective is that the patrons are asking Joel why he would be using his talent in a place like that, when he could be making a lot more money elsewhere.

It’s nine o’clock on a Saturday
The regular crowd shuffles in
There’s an old man sitting next to me
Makin’ love to his tonic and gin

He says, “Son, can you play me a melody?
I’m not really sure how it goes
But it’s sad and it’s sweet and I knew it complete
When I wore a younger man’s clothes”

La la la, de de da
La la, de de da da da

(Chorus:)
Sing us a song, you’re the piano man
Sing us a song tonight
Well, we’re all in the mood for a melody
And you’ve got us feelin’ alright

Now John at the bar is a friend of mine
He gets me my drinks for free
And he’s quick with a joke or to light up your smoke
But there’s someplace that he’d rather be
He says, “Bill, I believe this is killing me.”
As the smile ran away from his face
“Well I’m sure that I could be a movie star
If I could get out of this place”

Oh, la la la, de de da
La la, de de da da da

Now Paul is a real estate novelist
Who never had time for a wife
And he’s talkin’ with Davy who’s still in the navy
And probably will be for life

And the waitress is practicing politics
As the businessmen slowly get stoned
Yes, they’re sharing a drink they call loneliness
But it’s better than drinkin’ alone

(Chorus)

It’s a pretty good crowd for a Saturday
And the manager gives me a smile
‘Cause he knows that it’s me they’ve been comin’ to see
To forget about life for a while
And the piano, it sounds like a carnival
And the microphone smells like a beer
And they sit at the bar and put bread in my jar
And say, “Man, what are you doin’ here?”

Oh, la la la, de de da
La la, de de da da da

(Chorus)

“Mysterious Ways,” by U2

Wednesday, May 4th, 2011

 

Johnny take a walk
With your sister the moon
Let her pale light in
To fill up your room
You’ve been living underground
Eating from a can
You’ve been running away
From what you don’t understand…
Love

She’s slippy
You’re sliding down
Will she be there
When you hit the ground

It’s all right, it’s all right, it’s all right
She moves in mysterious ways
It’s all right, it’s all right, it’s all right
She moves in mysterious ways
O-o-oh

Johnny take a dive
With your sister in the rain
Let her talk about the things
You can’t explain
To touch is to heal
To hurt is to steal
If you want to kiss the sky
Better learn how to kneel – On your knees boy

She’s the wave
She turns the tide
She sees the man, inside the child
Yeah

It’s all right, it’s all right, it’s all right
She moves in mysterious ways
It’s all right, it’s all right, it’s all right
She moves in mysterious ways
Love
It’s all right, it’s all right, it’s all right
Lift my days, light up my nights
Love

One day you will look… back
And you’ll see… where
You were held… how
By this love… while
You could stand there
You could move on this moment
Follow this feeling

It’s all right, it’s all right, it’s all right
She moves in mysterious ways
It’s all right, it’s all right, it’s all right
She moves in mysterious ways
O-o-oh

Oh love
Oh love, lover
Move you
Spirit move
Baby love me
Move
Baby love me
Move you
Baby love me
Move with it
She moves with it

Lift my days, light up my nights

 

This song is about a boy who has intercourse with his own sister, though he knows that it’s crazy and unexplainable.  He has never been able to put together the answer to his life’s riddle, and for some reason he thinks that fornicating with his sister will help him understand his purpose in life.  “You’ve been living underground, eating from a can” is probably symbolic for his running away from stuff, and the can representing his means of survival.  They are both kids- he is a young teenager and she is probably younger.  Towards the end of the song, he talks about “the spirits moving them”.  Despite some people pointing out possible demonic interaction here, it’s probably just alcohol that he snatched from his dad’s liquor cabinet.

“Hotel California,” by The Eagles

Monday, May 2nd, 2011

This song is NOT about Satanism or the Church of Satan, as has been rumored for years.  It’s about materialism in America and the loss of innocence.  More detail on this to come…

On a dark desert highway
Cool wind in my hair
Warm smell of colitas
Rising up through the air
Up ahead in the distance
I saw a shimmering light
My head grew heavy and my sight grew dim
I had to stop for the night
There she stood in the doorway
I heard the mission bell
And I was thinking to myself
This could be Heaven or this could be Hell
Then she lit up a candle
And she showed me the way
There were voices down the corridor
I thought I heard them say
Welcome to the Hotel California
Such a lovely place
Such a lovely face
Plenty of room at the Hotel California
Any time of year
You can find it here

Her mind is Tiffany twisted
She’s got the Mercedes Benz
She’s got a lot of pretty, pretty boys
She calls friends
How they dance in the courtyard
Sweet summer sweat
Some dance to remember
Some dance to forget
So I called up the Captain
Please bring me my wine
He said
We haven’t had that spirit here since 1969
And still those voices are calling from far away
Wake you up in the middle of the night
Just to hear them say
Welcome to the Hotel California
Such a lovely place
Such a lovely face
They’re livin’ it up at the Hotel California
What a nice surprise
Bring your alibies

Mirrors on the ceiling
Pink champaign on ice
And she said
We are all just prisoners here
Of our own device
And in the master’s chambers
They gathered for the feast
They stab it with their steely knives
But they just can’t kill the beast
Last thing I remember
I was running for the door
I had to find the passage back
To the place I was before
Relax said the nightman
We are programmed to receive
You can check out any time you like
But you can never leave

American Pie by Don McLean

Monday, May 2nd, 2011

Lyrics are displayed below in italics, with our comments in bold text as needed:

A long, long time ago… I can still remember how
That music used to make me smile.
And I knew if I had my chance,
That I could make those people dance,
And maybe they’d be happy for a while.
But February made me shiver,
With every paper I’d deliver,
Bad news on the doorstep…
I couldn’t take one more step.
I can’t remember if I cried
When I read about his widowed bride
But something touched me deep inside,
The day the music died.

Comments: “That music used to make me smile” very much represents the happier optimism of the 1950s in America. He also identifies Buddy Holly by the month of his death (February) and the “widowed bride” he left behind. Holly’s passing had a profound effect on McLean: as it will become clearer in the next verse, this music and the simple innocence and optimism of it has its corollary in the psychology of America in the fifties, so that the day the music died becomes the day the innocence and optimism died – blow number one. McLean delivered papers as a boy.

Soo..Bye, bye miss American Pie
Drove my Chevy to the levee but the levee was dry
And good ol’ boys were drinking whisky and rye?
Singing this will be the day that I die
this will be the day that I die

Comments: “American Pie” was not name of the aircraft that Holly, the Big Bopper and Ritchie Valens died in, as is often assumed. But rather it is a simile to apple pie, an American icon. The Chevrolet itself is a familiar icon of 1950s America. Also, given that a drive to a levee carries the suggestion of romance in a car, we can almost see him on a date here. But the date is over, the levee is dry – someone he once loved has betrayed him; something that once gave him sustenance has evaporated. One of Holly’s hit songs was “That’ll be the day that I die”.

Did you write the book of love
And do you have faith in God above
If the Bible tells you so
Do you believe in rock n roll
Can music save your mortal soul
Then you can teach me to dance real slow
Well I know that you’re in love with him
‘Cause I saw you dancing in the gym
You both kicked off your shoes
Then I dig those rhythm and blues
I was a lonely teenage broncin’ buck
With a pink carnation and a pickup truck
but I knew that I was out of luck
The day the music died
I started singin’…

Comments: Here, he is saying that America as a whole was beginning to shift from faith in God to faith in music. Dancing began decreasing in the 60s, due to psycedelia and the 10-minute guitar solos. The “pink carnation” reference is an obvious reference to Marty Robbins’ hit single that had the words “A white sport coat and a pink carnation…”

Bye, bye miss American Pie
Drove my Chevy to the levee but the levee was dry
And good ol’ boys were drinking whisky and rye?
Singing this will be the day that I die
this will be the day that I die

Now for 10 years we’ve been on our own
And moss grows fat on a rolling stone
But that’s not how it used to be
When the jester sang for the king and queen
In a coat he borrowed from James Dean
In a voice that came from you and me
And while the King was looking down
The jester stole his thorny crown
The courtroom was adjourned
No verdict was returned
While Lennon read the book of Marx
The quartet kept practice in the park
And we sang dirges in the dark
The day the music died

Comments: McLean is writing this song in the late 60s, about 10 years after the plane crash that killed Holly, Valens, and the Big Bopper. The “rolling stone” comment can be attributed to either Bob Dylan, who sang “Like a Rolling Stone” or the Stones themselves. Or both. The jester is clearly talking about Dylan, who played in England for the Royal Family. In the movie “Rebel without a cause”, James Dean’s character lends a red windbreaker to a man who gets shot and killed. And while the King (Elvis) was looking down, the jester (Dylan) stole his thorny crown (#1 in the hearts of the fans)… John Lennon literally studied Marxism around this time period. The quartet practicing in the park refers to the concert the Beatles had at Shea Stadium in NYC. A “dirge” is a funeral song, which makes sense, since they “sang” them the “day the music died.”

Helter Skelter in a summer swelter
The birds flew off with the fallout shelter
Eight miles high and falling fast It landed foul on the grass
The players tried for a forward pass
With the jester on the sidelines in a cast
Now the halftime air was sweet perfume
While sergeants played a marching tune
We all got up to dance
Oh, but we never got the chance
‘Cause the players tried to take the field,
The marching band refused to yield.
Do you recall what was revealed,
The day the music died?
We started singing

Comments: McLean starts flying fast in this verse, shifting gears rapidly. Helter Skelter was a song on the Beatles’ White album that inspired Charles Manson to lead his followers in the infamous murders committed. He begins talking about drugs in the next part, with “Eight miles high” a reference to a Fifth Dimension song banned because of drug-oriented lyrics. “Landed foul on the grass” is referencing one of the Byrds who was busted for marijuana. The “jester on the sidelines in a cast” refers again to Dylan, who spent nine months in seclusion after a terrible motorcycle accident. The following lines (“Cause the players tried to take the field/The marching band refused to yield”) are about the Kent State massacre in 1970, where four students were killed and nine wounded. The players are the Ohio National Guard members who gunned the anti-war protesters down.

Bye, bye miss American Pie
Drove my Chevy to the levee but the levee was dry
And good ol’ boys were drinking whisky and rye?
Singing this will be the day that I die
this will be the day that I die

There we were all in one place
A generation lost in space With no time left to start again
So come on Jack be nimble, Jack be quick
Jack Flash sat on a candle stick
‘Cause fire is the devil’s only friend.
As I watched him on the stage
My hands were clenched in fists of rage
No angel born in hell
Could break that satan’s spell
And as flames climbed high into the night
To light the sacrificial rite
I saw satan laughing with delight
the day the music died.

Comments: This verse is entirely made up of references to the tragic events that took place at the Altamont Motor Speedway, California in the fall of 1969 at a Rolling Stones concert. “Jumping Jack Flash” and “Sympathy for the Devil”, both songs by the Stones, were played at the concert. A riot ensued, and McLean blames Mick Jagger here (“As I watched him on the stage my hands were clenched in fists of rage”) for not stopping the riot by simply stopping the band from playing anymore. The notorious motorcycle group “Hell’s Angels” were hired for security, and a fan was killed by one of them, resulting in Satan laughing with delight “the day the music died” even more than it already had…

I met a girl who sang the blues
And I asked her for some happy news
But she just smiled and turned away
I went down to the sacred store
Where I’d heard the music years before
But the man there said the music wouldn’t play
And in the streets the children screamed
The lovers cried and the poets dreamed
But not a word was spoken
The church bells all were broken
And the three men I admire most
The Father Son and Holy Ghost
They caught the last train for the coast
The day the music died
They were singin’

The girl who sang the blues is Janis Joplin, who died at a very young age (smiled and turned away). The next 7 lines are all reactions to the plane crash, as well as to America having lost its mind over the years. The three men compared to the holy trinity in this analogy are obviously Buddy Holly, Richie Valens, and the Big Bopper.

**Interesting fact** The tragic flight was originally supposed to haul Holly, Valens, and country music start Waylon Jennings; however, Holly approached Jennings’ bassist and asked if Jennings would mind giving up his seat for friend the Big Bopper. Jennings agreed to take the bus, but with some friendly fun poked at Buddy Holly. Holly said jokingly, “I hope your bus stalls on you!” Jennings playfully responded, “Yeah, well I hope your plane crashes!” As you might guess, those words went on to haunt Jennings every day for the rest of his life. Jennings passed away in 2002.

Bye, bye miss American Pie
Drove my Chevy to the levee but the levee was dry
And good ol’ boys were drinking whisky and rye?
Singing this will be the day that I die
this will be the day that I die

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